Abu Harees (Knight of the Arabic Letter in Saudi Arabia) A critical reading by the plastic critic and artist Abboud Salman Al-Ali Al-Obaid / Syria. The Saudi Arabian plastic artist Fayez Al-Harthy (Abu Harees) is one of the most prominent artists of the city of Makkah Al-Mukarramah in the Kingdom of Saudi Arabia. When you look at his artworks, you enter a world He quietly attracts you to his surroundings without you feeling, mixing your personal sense with his artistic sense and robbing you of your sight without giving you the opportunity to go out within the framework of the painting. In the composition of popular abstract painting, which is adored with Arab culture and Islamic faith, and left its clear imprints on the art of Islamic architecture in his painting. The heart and the neighing on the orbits of light in the spontaneity of love and the fragrant colors and conscience where the echo of the sandy years in the wilds of the wet adored nectar on the singing of this soul in the greenness of the range where the change in the ambush of his beautiful creativity that this book contains the biography and the march of our celebrated creator as if the content and the content between poetic Plastic art and the role of art in reality and painting as a material in the awareness of attendance, reading, enthusiasm, honesty, and the heat of experience through which we express the intensity of the artwork and the self. As a natural introduction to this beauty? The paintings of the Saudi Arabian plastic artist Fayez Awad Al-Harthy (Abu Harees) refer us to the question of literal formation in the field of the vital artist who takes his colors through mystical dimensions soaring in the space of his artistic talent marked by his oriental expressions stemming from the spontaneous fabric of the aesthetics of his coloristic illustrations that try To dig literal grooves in the field of crafting the artistic painting that expresses his world in a brilliant abstract atmosphere with the components of the Arabic letter, which derives its existence from the culture of the popular oriental rug with a technical sense of primitive linear emotionality (features and characteristics), revealing through these literal aggregates the depth of Arab history and its subordinates in The Arab-Islamic decorative arts and from the flow of modern Arabic painting.. where the visual excitement that pulsates with the spirit to draw words on the transformations of its plastic buildings and in the compositions of its undulating color layers at the same emotional moment of the movement of lines between combinations of elongated spectra, and ornate arcs, where the nodes are for abstraction, and where are the obsessions (calligraphy And the tool, the light, the color, and the compositional color annotations) which is the meaning of the place in his artistic painting in the same tattoos and grooves, and whoever wants to recover the legitimacy of our ancient Arab customs as a basic rule may lead the artist to all this hidden and subconscious of the painting that lives the soul with the memory of this accumulation and color solidarity to harmonize with the expressiveness of contemporary connotations where the search And abstraction and cases of manifestation on a single breaking the landscape of the edges of the space and the four sides to bloom in the geometric sense on group meanings Visual effects in the meaning of oriental expressions floating in the fog of the past with the luster of the auras of the essence of everything that is current as a poetic climate that may be consistent with the civilizational and cultural message of art or when the artist sings through his hot question ? About the language of plastic art as a language, expression and message? What does the artist want from a connection to the recipient who may travel in love with beauty with his excessive childish instinct on the fields of that art that explores the aspect and those interactive effects? And love and the Arabic letter as a permanent memory on the illuminations of the imagination and delusions of conditions from the ways of life. The Saudi Arabian plastic artist Fayez Al-Harthy (Abu Haris) is one of the most prominent artists of the city of Makkah Al-Mukarramah in the Kingdom of Saudi Arabia. When you look at his artwork, you enter a world that quietly attracts you to its surroundings. Without you feeling, your personal feeling mixes with his artistic sense and takes away your sight without giving you the opportunity to go out within the framework of the painting. Popularity adored by Arab culture and Islamic faith and left its clear imprints on the art of Islamic architecture in his painting. The light in the spontaneity of love and the fragrant colors and conscience, where the echo of the sandy years in the wilds of nectar soaked wet on the singing of this spirit in the greenness of the range, where the change in the place of his beautiful creativity that this book contains the biography and the march of our celebrated creator as if the content and content between the poetic art and the role of art In fact, the painting as a material in the awareness of presence, reading, enthusiasm, honesty, and the heat of experience through which we express the intensity of the artwork and the self. As a natural introduction to this beauty? The paintings of the Saudi Arabian plastic artist Fayez Awad Al-Harthy (Abu Harees) refer us to the question of literal formation in the field of the vital artist who takes his colors through mystical dimensions soaring in the space of his artistic talent marked by his oriental expressions stemming from the spontaneous fabric of the aesthetics of his coloristic illustrations that try To dig literal grooves in the field of drafting the artistic painting that expresses his world in a brilliant abstract atmosphere with the components of the Arabic letter, which derives its existence from the culture of the popular oriental rug with a technical sense of primitive linear emotionality (features and characteristics), revealing through these literal aggregates the depth of Arab history