Hamad Asiri.. a Saudi visual artist, born in Jeddah in 1977 AD, a writer and researcher in the plastic arts and self-development, graduate of the College of Technology, office administration and advanced courses in strategic planning from the United Arab Emirates. He worked in the Emirati press from 2001 to 2004 in Dubai. Asiri is considered one of the most creative and brilliant young faces in the Saudi profession. He has many participations in group exhibitions inside and outside the Kingdom. He has held many workshops, the most recent of which is a workshop entitled “Drama of Color” at the House of Fine Arts in Jeddah, and he is working on preparing his next personal exhibition entitled “A World of Paper.” He also has a book in print entitled: “My Experience Between Colors and Paper.” He received many awards and certificates of appreciation, the most recent of which was the first place award in the “Al-Fahad Spirit of Leadership” exhibition and competition - 2015 AD. He was also honored by King Saud University in Riyadh on 11/23/1436 within the activities of the Horse Modernization Exhibition. During the activities of the Kanna Kadda 2 festival in Jeddah, he achieved a record, which was to complete a painting of Prince Mishal bin Majid in front of the public in acrylic in 4 minutes and 37 seconds. He is currently completing a photographic painting in oil colors, measuring 150 by 120, of King Salman, may God protect him, documented on video, for the purpose of publishing and displaying it on the eighty-fifth National Day. About his works, the visual artist, Dr. Hana Rashid Al-Shibli, wrote: “The artist Muhammad Asiri’s painting tells details that have pictorial connotations, and it is considered a silent, non-verbal text with beautiful and multiple meanings that give artistic impressions to the recipient... at times... it suggests movement, and at other times... it suggests stopping in preparation for jumping.” And the start... The main element is embodied in the upper part of the horse's graceful figure, which forces the viewer to share the contemplative, far-forward look with him.