What you do not know about Muhammad Al-Saleem
Late Saudi plastic artist. He is considered one of the first pioneers of plastic art in the Kingdom of Saudi Arabia.

Biography of Muhammad Al-Saleem
During his career, the plastic artist, Muhammad Al-Salim, presented many works of art and achievements, for which he gained great Arab and international fame. He was among the personalities who worked hard to support the rising talents of Saudi plastic art and tried to bring them to the world.

He presented many of his works to the Saudi government, which by presenting them enriched his country's heritage and cultural history. Learn about the biography, achievements, judgment, sayings, and all the information you need about Muhammad Al-Saleem.

Dayat Muhammad Al-Saleem
The late plastic artist, Muhammad Al-Saleem, was born in Marat Governorate, Saudi Arabia. On July 18, 1939 AD. He lived at the beginning of his life in the Kingdom of Saudi Arabia, where he studied and received his education there, specializing in the study of plastic art. In the year 1957 AD

Residential properties in Saudi schools. Then he worked in designing the decor for TV programs, after the opening of Saudi TV in the mid-sixties, leaving his own mark on it.

These expectations appeared from a good period of his work, which is a painting he called "Entrance of Times".

After that, he received a scholarship in Italy in decoration, so he moved to live in it and joined the College of Fine Arts in Florence, Italy, from which he graduated in the year 1973 AD.

In Italy, in his studies, he got acquainted with personalities interested in Czech art: Arabs, foreigners, and foreigners from his paintings, which were placed in the Florence Museum.

Muhammed Al-Saleem's personal life
The late artist, Muhammad Al-Salim, is married and has several children, including seven daughters, and others, and resumed success in informatics.

And he was working in pearl fishing and his family.

Facts about Muhammad Al-Saleem
In the year 2005 AD, the Ministry of Culture and Supervision sent to the house of the late Muhammad Al-Saleem. What was missed, or what was fatal, was due to the contributions and artistic additions made by the late to Saudi civilization. All members of the committee were chosen from friends of the late and those who lived with him during his life and during his professional career.
In the year 2016 AD, the artist Mohammed Al-Saleem was honored, as his name was given to one of the plastic art halls in the College of Arts and Designs at Princess Noura University.
It was, however, an animal, with its fourth hierarchy, its fourth hierarchy, a young animal, when it was small.
educational schools in his environment.
He began studying elementary school at the age of nine.
When he worked for the Saudi TV station, he faced some objections from his family and society in general.
He spent the last years of his life in Italy, away from his family; He was carrying what made him ready to display.
The death of Muhammad Al-Saleem
The plastic artist, Muhammad Al-Salim, died in his home in Italy in 1997 AD, when he was alone at the time. His body was transferred to the city of Riyadh to be buried among his family and on his land.

Muhammad's achievements
After the late artist Mohamed Al-Salim graduated from the College of Fine Arts in Florence, Italy, in 1973 AD.
He devoted himself entirely to plastic art since that time, and was then influenced by Italian art, and this appeared in many of his works, but soon he created a special artistic approach for himself, which he called Horizons.
Al-Saleem then established the Saudi Arts House, and through this house, he opened the Riyadh International Gallery for Fine Arts.
Al-Saleem invested this house in order to attract competencies, as many local and international exhibitions and competitions were held in it. He also held many exhibitions for himself, through which he was able to communicate his ideas and art to people.
The activity of the late Muhammad Al-Saleem was not limited to his personal art, but rather he worked hard and contributed to supporting the local plastic arts in his country, Saudi Arabia, trying to bring them to the world.
During his career, Al-Saleem received many appreciations and awards locally, regionally and internationally. He presented many of his artworks to the General Presidency for Youth and presented his art library, which contains many books and art studies, to the King Fahd Library.
We also find many of his works and aesthetic designs distributed in several places in the city of Riyadh, the most famous of which is a model located at the entrance to the old Riyadh airport, from which he came as an initiative to increase the aesthetics of the city.
Al-Saleem owns seven aesthetic field models ranging in length from 7-15 meters and made of iron and bronze. They have been in his gallery south of Riyadh for more than 25 years, and there are 20 other models in the place where he manufactured them without any sign of interest from any official Saudi authority in them.
In May 2018, Najla Al-Saleem, the daughter of the late Muhammad Al-Saleem, published a picture of one of his paintings on her account on a social networking site, where the painting belongs to Dr. Abdullah Al-Quwaiz. A landscape made up of hills, desert lands and part of a house in which Al-Salim expressed the environment he had always loved.
In October 2018, two rare paintings by the artist Al-Salim were displayed for sale at Christie's International Art Auction in London.
The deceased had lost the two paintings after a deal he made with a commercial entity, where he wanted to sell them to pay off some of the debts of his Saudi art institution, and that was thirty years before the date of the auction.
The two paintings were lost along with a complete art collection, which the daughter of the late Najla managed to recover after a series of negotiations. The purpose of selling the two paintings was to complete what the late man started to do, which is to support Saudi plastic art.
The first painting was a landscape in which Muhammad Al-Salim introduced new materials and methods in his work, and that was in the year 1975 AD, and at that time many young people interested in plastic art tried to follow the approach of Al-Salim in drawing.
The theme of the second painting was the pronunciation of His Majesty, through which Al-Salim employed Arabic writing in the artwork and completed it in 1981 AD.
Al-Saleem participated with these two paintings in a series of touring exhibitions of Saudi art held by the General Presidency, which moved between Kuwait, Abu Dhabi, Muscat, Istanbul and Ankara. It was shown in 1989 AD for the last time in the personal exhibition of Muhammad Al-Salim
Which he resided in Riyadh at the time, where he later gave it up in exchange for a sum of money to pay off part of his many debts, and the two paintings disappeared since then.

His most notable works: Publications:
Horizons: The Visual Art of Desert Horizons.
Other jobs and positions:

He was one of the pioneers of the plastic art movement in the Kingdom of Saudi Arabia.
He executed several paintings that are still in the Florence Museum in Italy.
He worked as a teacher of art education in the city of Riyadh in 1957.
Since the mid-sixties of the twentieth century, he began working in Saudi television by preparing and designing the decor and backgrounds for the first programs that were broadcast from this television.
He held the first exhibition of his drawings in the Al-Nasr Club building in 1967.
He established the first store in the Kingdom of Saudi Arabia to sell all materials and technical tools in the mid-seventies of the twentieth century.
He established the Saudi Arts House in Riyadh in 1979 and remained under his management until it declared bankruptcy in 1995.
He was the first to open a factory for making and creating models in the Kingdom of Saudi Arabia.
He tried hard to support novice painters and visual artists and encourage amateurs.
He wrote many different creative articles.
Controversial news: He executed seven aesthetic models and submitted them to win a tender held by the Riyadh Municipality to decorate the area. However, he did not win it, and the tender went to another decorating project, which is “landscape”, so these sculptures remained stored in his factory and were not distributed in the streets of the region, after he had spent all his financial wealth on implementing them and borrowed from local and foreign banks, which accumulated large debts for him, which was the main reason In the bankruptcy of the Saudi Arts House.