The artist Jassem Al-Omar traveled from the seashore to the depth of the desert, observing features of life in Kuwait in the past, depicting the simplicity of life in the past, presenting 42 woven paintings in watercolor and oil colors. On this occasion, the artist Jassim Al-Omar affirmed his commitment to the realistic school, rejecting some other plastic methods such as the surrealist and abstract approaches, declaring his desire to present other new topics that mimic social reality, explaining that it took him three years to complete the content of his first exhibition, during which he monitored his old Kuwaiti environmental works. Regarding the positive results of his joining the Free Studio, he points to the development of his artistic tools, especially after joining the Free Studio, benefiting from artists with long experience in the field of formation, explaining: “I am not a specialist in drawing, so I did not study plastic arts, but rather relied on my talent and passion for drawing since filigree.” His focus on marine life was explained by his love for the authentic Kuwaiti environment full of its three sides, ships, sailors and the sea, his interest in the marine environment and his desire to document it. Al-Omar added: "I observed most of these scenes during my childhood because I am a resident of the Sharq region, and I was a witness to the details of these scenes, whether they were on the coast or in the depths of the sea, as I went on cruises to Failaka Island with sailing ships, and I also used some old photos of life and buildings to focus on certain details that may not dwell in my memory." He pointed out that he was involved in working on a new project in the free studio that was concerned with the Kuwaiti environment in the past, the urban form, the yard, the diwaniya, and other heritage matters.